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We are seeing major improvements in the quality of movie presentation.
Examples are the larger screens, stadium seating , torus screens
and improved auditorium design.
The improvements require new levels of performance from lamp-houses,
projectors, lenses and screens. As the performance improves, we
also need to improve our measurements and measuring techniques.
For example, the measurement of light level and light distribution
on a screen, especially a large screen, is a time consuming and
rather tedious task. This becomes a rather important consideration
when adjusting a lamp-house and projector to illuminate a 73 foot
screen.
Picture steadiness, flicker and contrast ratio also come under
greater scrutiny as we improve performance. Large screens and
stadium seating tend to emphasize any deficiencies.
It seems that everywhere you look, a new theater complex is being
built. There seems to be a proliferation of new screens. Yet there
is the increasing pressure to keep the cost of operation down.
This means that our technically qualified technicians have to
cover more and more screens. In some cases, the theater staff
is changing Xenon bulbs and making adjustments to their lamp-houses.
We need to simplify and expedite the measurements and adjustments.
Presently, the standard method of measuring screen luminance is
to use a spotmeter and manually measure the light level at many
different points on the screen. After an adjustment is made, the
process is repeated.

Computerized
Projection System Analyzer
The
combination of a specialized CCD camera and a small computer can
be used to measure the luminance levels on the entire screen in
real time. We at Ultra Stereo Labs. have been working with such
a device for the past year. We believe that it will be an important
factor in improving and expediting the on-screen measurement process.
We call it the Projection System Analyzer.
A TV camera is placed in the center of the audience area and adjusted
to view the entire screen. The camera output is connected to a
small gray box in the projection booth which contains video processing
circuits and a small computer. This is called the Analyzer and
Interface unit. A laptop computer is used to control the measurements
and to display the results.
The laptop display can show either the TV image of the movie screen
as the camera sees it, or a graphical representation of the movie
screen which displays the luminance values. The graphical representation
is divided into a nine-by-five grid, showing the luminance readings
for each of the 45 zones. This provides an immediate and continuous
display of the light distribution across the entire movie screen.
Additionally, the background of each zone is shaded in accordance
with the light value in that area. The shading emphasizes the
pattern of light distribution. This gray scale emphasis or enhancement
makes it easy to discern the variation in light across the screen.
This becomes important when adjusting the X,Y and Z controls of
a lamp-house. The technician or person adjusting the lamp-house
watches the laptop display rather than the movie screen. Use of
this instrument can cut lamp-house adjustment time from 5 or 10
minutes to 30 seconds or less.
The camera and analyzer instrument can also be used to measure
the parameters of image steadiness, flicker and contrast.

Technical
Discussion
A CCD camera is a natural light measuring device. The amplitude
of the video output is linearly proportional to exposure. The
video is sampled by an A/D converter and each frame of the video
is stored in memory to allow for computer measurements. Commands
from the laptop computer determine which measurements are to be
made.
Luminance
For the luminance readings, the video level is measured at ten
different places in each zone. The readings for each zone are
averaged over a period of two and a half seconds and then the
final value is placed in a table. After correction factors for
camera gain and lens characteristics are applied, the luminance
values for each zone are sent to the laptop for display.
The camera is normally positioned, and the zoom lens adjusted
so that the camera view covers the movie screen and masking.
The aiming and positioning of the camera is not critical, as
long as the TV image includes the entire screen. A small viewfinder
is mounted on the rear of the camera, along with a rocker switch
for control of the zoom lens. An algorithm in software locates
the exact edges of the movie screen in the camera view. All
zone luminance measurements are made within the borders of the
screen. The nine-by-five zone grid is aligned with the movie
screen and inset by 5%, to prevent any ragged edges from affecting
the measurements.
When viewing the "camera view" display of the laptop,
you see the movie screen and an area around it that would normally
cover the masking and curtains. In this mode, a spotmeter is
available that follows the cursor and reads the luminance in
a small area that corresponds to approximately one degree. This
is useful in measuring the light manually, at any point on the
screen or it's immediate surroundings. The spotmeter function
is particularly useful when making measurements of ambient light,
reflected light and lens flare. The gray scale enhancement is
active in this display mode so that the screen luminance pattern
may be seen.
Image Steadiness
The parameters of image steadiness can be measured with the
camera and computer. For the measurement of weave, for example,
the computer picks up a vertical line in the image and measures
the time delay between the left raster edge and the vertical
line. With weave, the time-position of that vertical line will
vary. If the computer continually measures the time-position,
then the peak-to-peak excursion can be determined. If we compare
this value to the image width, then we can calculate the weave
as a percentage of image width. We measure both the image width
and the horizontal motion of the vertical line in terms of time
instead of linear dimensions. We still have the proper ratio.
We can also perform an FFT algorithm on the time-position signal,
and come up with a spectral display of the weave components
showing their individual amplitude and frequency. This is very
useful for analysis or troubleshooting of a projector.
The same process can be used to measure jump or jitter of the
projected image. In that case, the position or timing of a horizontal
line is measured with respect to the end of vertical blanking.
Contrast
Image quality is dependent upon the ratio of the high-light
luminance to the darkest possible scene or area projected from
film. The contrast ratio is limited by the "stray"
light, such as ambient light from the aisle and wall lights,
screen light reflected from the ceiling and walls and lens flare.
The spotmeter function of the Projection System Analyzer can
be used for measurements of these stray light sources.
Flicker
The Flicker display shows the frequency and amplitude of any
flicker components below 12Hz. Sources of flicker, such as a
bad lamp or power supply regulator can be more easily diagnosed
with this capability.
Documentation
Software in the laptop computer can generate a report which
contains all the pertinent data for each movie auditorium. This
report shows the luminance for each zone of the screen as well
as data from all other measurements made. The report can be
printed out or retained on a floppy disk.
Accuracy
Several versions of the instrument have been built and tested
during the past year. When calibrated with a spotmeter which
is accurate within 2%, the accuracy has remained within +/-
5%. The CCD determines the majority of the accuracy and it is
a very stable device within a reasonable temperature range.

Conclusion
The combination of a specialized CCD camera and a small computer
can simplify and expedite on-screen measurements of projection
system parameters. The instrument also provides an excellent means
of documentation. This is important for comparative analysis and
equipment monitoring and evaluation.
It seems certain that the Projection System Analyzer will be an
important factor in improved measurements and better movie presentation.
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